# Dürer paints the Landauer Altar Adoration of the Trinity

Date: 1511

## The fact

In 1511 [Dürer](/people/albrecht-durer) dated the Adoration of the Holy Trinity for Matthäus Landauer’s Zwölfbrüderhaus. The dated almshouse altarpiece is not the Life of the Virgin woodcut book of the same year. Albrecht Dürer’s documented role is: He painted the All Saints panel for Matthäus Landauer’s Twelve Brothers House. The institution paid; later Vienna custody is not the painting act. Do not twin this with the 1511 Life of the Virgin book. A painted altar is not a woodcut book. Later editors, printers, and excavators remain named where they appear. Albrecht Dürer's documented role is: He painted the All Saints panel for Matthäus Landauer’s Twelve Brothers House. The institution paid; later Vienna custody is not the painting act.

## Context

A Nuremberg charitable house, a frame Dürer also designed, and later Habsburg collecting share the file. An All Saints vision is not a unique poor-relief series. Later Vienna hanging is not 1511. Named others on the file: Matthäus Landauer as patron, the Twelve Brothers as institutional recipient, and unnamed assistants share the commission. The public setting is the file around 1511-01-15. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays Dürer paints the Landauer Altar Adoration of the Trinity. The setting of Dürer paints the Landauer Altar Adoration of the Trinity is the public file around 1511-01-15. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver [social-cohesion](/drivers/social-cohesion) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

If a number is not in the two records named above, it is not supplied here.

## Evidence and sources

KHM heritage and Britannica independently date the 1511 Landauer Trinity as a Nuremberg almshouse panel. Official: Kunsthistorisches Museum — Dürer, Adoration of the Trinity heritage (https://www.khm.at/; Kunsthistorisches Museum Wien). Independent: Britannica — Albrecht Dürer, Landauer Altar 1511 (https://www.britannica.com/biography/Albrecht-Durer-German-artist; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Kunsthistorisches Museum — Dürer, Adoration of the Trinity heritage (https://www.khm.at/; Kunsthistorisches Museum Wien). Independent carrier: Britannica — Albrecht Dürer, Landauer Altar 1511 (https://www.britannica.com/biography/Albrecht-Durer-German-artist; Encyclopaedia Britannica).

Official or archival record: Kunsthistorisches Museum — Dürer, Adoration of the Trinity heritage (https://www.khm.at/; Kunsthistorisches Museum Wien).

## Significance

Improving social-cohesion path: an almshouse altarpiece. Complex shared commission. Welfare reading improving. The attached mechanism is A dated altarpiece for a Nuremberg almshouse put a public All Saints vision into a charitable chapel. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

## What is established and what is not

Established: 1511 Landauer Altar. Not established: that later Vienna custody is his act. Established: a sourced public record of Dürer paints the Landauer Altar Adoration of the Trinity under 1511-01-15. Established: a sourced public record of Dürer paints the Landauer Altar Adoration of the Trinity under 1511-01-15.

The attached driver is social-cohesion. The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself.

Confidence is stated on the impact path, not hidden in adjectives. Do not twin this with the 1511 Life of the Virgin book. A painted altar is not a woodcut book. Mixed effects of Dürer paints the Landauer Altar Adoration of the Trinity are separate paths.

Shared responsibility is part of Dürer paints the Landauer Altar Adoration of the Trinity. Naming Albrecht Dürer does not delete co-authors, institutions, or later transmitters. The lag from 1511-01-15 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

## People

- Albrecht Dürer: https://factrail.ai/people/albrecht-durer

## Drivers

- Social Cohesion: https://factrail.ai/drivers/social-cohesion

## Sources

- https://www.khm.at/
- https://www.britannica.com/biography/Albrecht-Durer-German-artist

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/adr-landauer-trinity-1511