# L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou

Date: 1930

## The fact

L’Âge d’or is the dated 1930 public film and riot object. [Salvador Dalí](/people/salvador-dali)’s documented role is: He co-wrote with Buñuel. The Studio 28 riot and ban are the public polarisation file. He is not the sole director. Do not merge with the 1929 Chien Andalou razor-row. This is the 1930 second film. Later editors, printers, and excavators remain named where they appear. Salvador Dalí's documented role is: He co-wrote with Buñuel. The Studio 28 riot and ban are the public polarisation file. He is not the sole director.

## Context

Paris, Studio 28. Right-wing vandalism and police closure sit in the file. [Breton](/people/thierry-breton)’s group is still neighbouring. Named others on the file: Luis Buñuel as co-maker; unnamed Studio 28 audience and police. The public setting is the file around 1930-11-28. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou. The setting of L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou is the public file around 1930-11-28. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver [political-polarization](/drivers/political-polarization) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

Confidence is stated on the impact path, not hidden in adjectives. Do not merge with the 1929 Chien Andalou razor-row. This is the 1930 second film. Mixed effects of L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou are separate paths.

## Evidence and sources

Tate and Britannica independently treat L’Âge d’or as a 1930 Dalí–Buñuel film with a public scandal. Official: Tate — Salvador Dalí (https://www.tate.org.uk/art/artists/salvador-dali-971; Tate). Independent: Britannica — Salvador Dalí (https://www.britannica.com/biography/Salvador-Dali; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Tate — Salvador Dalí (https://www.tate.org.uk/art/artists/salvador-dali-971; Tate). Independent carrier: Britannica — Salvador Dalí (https://www.britannica.com/biography/Salvador-Dali; Encyclopaedia Britannica).

Official or archival record: Tate — Salvador Dalí (https://www.tate.org.uk/art/artists/salvador-dali-971; Tate).

## Significance

Anticlerical polarisation. Welfare reading worsening. The attached mechanism is A banned anticlerical premiere is a polarisation path. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is worsening.

The attached driver is political-polarization. The welfare reading used in this dossier is worsening. That reading is an impact-path choice, not a property stored on the Fact itself.

## What is established and what is not

Film riot, not a unique church-attack series. Established: a sourced public record of L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou under 1930-11-28. Established: a sourced public record of L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou under 1930-11-28.

Shared responsibility is part of L’Âge d’or premieres as a public anticlerical film, a distinct instrument from Un Chien Andalou. Naming Salvador Dalí does not delete co-authors, institutions, or later transmitters. The lag from 1930-11-28 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

If a number is not in the two records named above, it is not supplied here.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

## People

- Salvador Dalí: https://factrail.ai/people/salvador-dali

## Drivers

- Political Polarization: https://factrail.ai/drivers/political-polarization

## Sources

- https://www.tate.org.uk/art/artists/salvador-dali-971
- https://www.britannica.com/biography/Salvador-Dali

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/dal-age-dor-1930