# The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed

Date: 1939

## The fact

The 1939 World’s Fair Dream of Venus is the dated public pavilion. [Salvador Dalí](/people/salvador-dali)’s documented role is: He designed the pavilion’s Surrealist interior. Fair management and backers share the commercial shell. Do not treat a later reconstruction as 1939. Do not merge with Spellbound. Later editors, printers, and excavators remain named where they appear. Salvador Dalí's documented role is: He designed the pavilion’s Surrealist interior. Fair management and backers share the commercial shell.

## Context

Flushing Meadows fair. Sponsors quarrelled with him over a Botticelli-bodice detail as later told. Named others on the file: Fair concessionaires; unnamed performers inside the tank as later described. The public setting is the file around 1939-06-01. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed. The setting of The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed is the public file around 1939-06-01. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver edu-[digital-learning-access](/drivers/edu-digital-learning-access) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

Confidence is stated on the impact path, not hidden in adjectives. Do not treat a later reconstruction as 1939. Do not merge with Spellbound. Mixed effects of The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed are separate paths.

## Evidence and sources

Fundació chronology and MoMA’s artist file independently keep the 1939 Fair pavilion in the public Dalí list. Official: Fundació Gala-Salvador Dalí — timeline (https://www.salvador-dali.org/en/dali/dali-timeline/; Fundació Gala-Salvador Dalí). Independent: MoMA — Salvador Dalí artist page (https://www.moma.org/collection/artists/1364; Museum of Modern Art). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Fundació Gala-Salvador Dalí — timeline (https://www.salvador-dali.org/en/dali/dali-timeline/; Fundació Gala-Salvador Dalí). Independent carrier: MoMA — Salvador Dalí artist page (https://www.moma.org/collection/artists/1364; Museum of Modern Art).

Official or archival record: Fundació Gala-Salvador Dalí — timeline (https://www.salvador-dali.org/en/dali/dali-timeline/; Fundació Gala-Salvador Dalí).

## Significance

Fairground teaching spectacle. Welfare reading improving. The attached mechanism is A public fair pavilion is an education-and-spectacle path of medium weight. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving.

The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself.

## What is established and what is not

Concession, not a museum gift. Established: a sourced public record of The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed under 1939-06-01. Established: a sourced public record of The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed under 1939-06-01.

Shared responsibility is part of The Dream of Venus pavilion at the 1939 New York World’s Fair is a public Surrealist funhouse he designed. Naming Salvador Dalí does not delete co-authors, institutions, or later transmitters. The lag from 1939-06-01 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

If a number is not in the two records named above, it is not supplied here.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

## People

- Salvador Dalí: https://factrail.ai/people/salvador-dali

## Drivers

- Digital Learning Access: https://factrail.ai/drivers/edu-digital-learning-access

## Sources

- https://www.moma.org/collection/artists/1364
- https://www.salvador-dali.org/en/dali/dali-timeline/

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/dal-dream-venus-1939