# MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang

Date: 1941

## The fact

The 1941 MoMA retrospective is a lifetime public hang. Salvador Dalí’s documented role is: MoMA organised the show. He was the living subject and supplier of works. He did not staff MoMA. Do not date later Tate or Reina hangings as this 1941 lifetime show. Do not merge with the 1934 Persistence acquisition. Later editors, printers, and excavators remain named where they appear. Salvador Dalí's documented role is: MoMA organised the show. He was the living subject and supplier of works. He did not staff MoMA.

## Context

New York exile years. Gala manages access. Franco Spain is not yet the 1948 return. Named others on the file: MoMA curators; Gala as household manager. The public setting is the file around 1941-11-19. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang. The setting of MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang is the public file around 1941-11-19. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver edu-[digital-learning-access](/drivers/edu-digital-learning-access) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself.

## Evidence and sources

MoMA’s exhibition history and Britannica independently date a 1941 New York Dalí exhibition. Official: MoMA exhibition history — Salvador Dalí (1941) (https://www.moma.org/calendar/exhibitions/2085; Museum of Modern Art). Independent: Britannica — Salvador Dalí (https://www.britannica.com/biography/Salvador-Dali; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: MoMA exhibition history — Salvador Dalí (1941) (https://www.moma.org/calendar/exhibitions/2085; Museum of Modern Art). Independent carrier: Britannica — Salvador Dalí (https://www.britannica.com/biography/Salvador-Dali; Encyclopaedia Britannica).

Official or archival record: MoMA exhibition history — Salvador Dalí (1941) (https://www.moma.org/calendar/exhibitions/2085; Museum of Modern Art).

## Significance

Museum teaching hang in his lifetime. Welfare reading improving. The attached mechanism is A wartime New York retrospective is an education-access path. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving.

Shared responsibility is part of MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang. Naming Salvador Dalí does not delete co-authors, institutions, or later transmitters. The lag from 1941-11-19 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

## What is established and what is not

Exhibition, not a unique attendance series. Established: a sourced public record of MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang under 1941-11-19. Established: a sourced public record of MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang under 1941-11-19.

If a number is not in the two records named above, it is not supplied here.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

Confidence is stated on the impact path, not hidden in adjectives. Do not date later Tate or Reina hangings as this 1941 lifetime show. Do not merge with the 1934 Persistence acquisition. Mixed effects of MoMA mounts a 1941 Dalí retrospective while he is alive in the United States, a public teaching hang are separate paths.

## People

- Salvador Dalí: https://factrail.ai/people/salvador-dali

## Drivers

- Digital Learning Access: https://factrail.ai/drivers/edu-digital-learning-access

## Sources

- https://www.moma.org/calendar/exhibitions/2085
- https://www.britannica.com/biography/Salvador-Dali

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/dal-moma-retrospective-1941