# How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object

Date: 1967

## The fact

The 1967 How Great Thou Art LP is a second dated gospel instrument. [Elvis Presley](/people/elvis-presley)’s documented role is: He recorded the 1967 gospel album. The Jordanaires and gospel quartet labour share the sessions. Do not merge with the 1960 His Hand in Mine row. This is the 1967 sacred LP. Later editors, printers, and excavators remain named where they appear. Elvis Presley's documented role is: He recorded the 1967 gospel album. The Jordanaires and gospel quartet labour share the sessions.

## Context

Nashville gospel [sessions](/people/jeff-sessions) inside the Hollywood-mill years. Sacred repertoire is not a rebate of the film mill. Named others on the file: The Jordanaires and unnamed gospel singers; RCA as issuer. The public setting is the file around 1967-02-27. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object. The setting of How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object is the public file around 1967-02-27. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver [social-cohesion](/drivers/social-cohesion) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

Confidence is stated on the impact path, not hidden in adjectives. Do not merge with the 1960 His Hand in Mine row. This is the 1967 sacred LP. Mixed effects of How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object are separate paths.

## Evidence and sources

The Recording Academy artist file and Britannica independently treat the 1967 gospel album as his. Official: Recording Academy — Elvis Presley artist (https://www.grammy.com/artists/elvis-presley/15456; Recording Academy / GRAMMY). Independent: Britannica — Elvis Presley (https://www.britannica.com/biography/Elvis-Presley; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Recording Academy — Elvis Presley artist (https://www.grammy.com/artists/elvis-presley/15456; Recording Academy / GRAMMY). Independent carrier: Britannica — Elvis Presley (https://www.britannica.com/biography/Elvis-Presley; Encyclopaedia Britannica).

Official or archival record: Recording Academy — Elvis Presley artist (https://www.grammy.com/artists/elvis-presley/15456; Recording Academy / GRAMMY).

## Significance

Sacred-repertoire cohesion. Welfare reading improving. The attached mechanism is A public sacred LP is a cohesion path distinct from His Hand in Mine (1960). Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving.

The attached driver is social-cohesion. The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself.

## What is established and what is not

LP, not a church statute. Established: a sourced public record of How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object under 1967-02-27. Established: a sourced public record of How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object under 1967-02-27.

Shared responsibility is part of How Great Thou Art is issued as a public gospel LP, later a Grammy-winning sacred-repertoire object. Naming Elvis Presley does not delete co-authors, institutions, or later transmitters. The lag from 1967-02-27 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

If a number is not in the two records named above, it is not supplied here.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

## People

- Elvis Presley: https://factrail.ai/people/elvis-presley

## Drivers

- Social Cohesion: https://factrail.ai/drivers/social-cohesion

## Sources

- https://www.grammy.com/artists/elvis-presley/15456
- https://www.britannica.com/biography/Elvis-Presley

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/elv-how-great-thou-art-1967