# La forza del destino opens in St Petersburg on 10 November 1862 for the Imperial Italian troupe

Date: 1862

## The fact

Britannica dates La forza del destino’s 10 November 1862 premiere at the Imperial Bolshoi Kamenny Theatre in St Petersburg. Piave and the Russian Italian troupe share the night. Later Milan revisions are carriers.

It is one event.

## Context

Unification-era deputy work is neighbouring politics.

[Giuseppe Verdi](/people/giuseppe-verdi)’s documented role is bounded by other offices and collaborators named in the sources below. Sharing a field with them is not a reason to drop a documented act, and it is not a reason to assign later consequences done in the name after death.

Imperial Russian taste for Italian opera; Verdi travelled for the production.

Named person as heading of the dated public instrument. Later editors, museums, printers, or offices share publication. Complex where later carriers are the surviving public file.

## Evidence and sources

Britannica and Ricordi heritage independently date the 1862 Forza premiere.

Official or archival record: Britannica — Giuseppe Verdi (https://www.britannica.com/biography/Giuseppe-Verdi; Encyclopaedia Britannica).

## Significance

A cross-border imperial premiere is a cohesion path for shared theatre publics.

## What is established and what is not

Established: 10 November 1862 St Petersburg premiere. Not established: that later Milan texts are this night.

What would change the picture: a contradictory original with a different date or name, or a measured series that can be argued, with lag and alternatives, as a consequence of this instrument rather than of later institutions.

The date is the date of this instrument, not a licence to back-date every later harm or benefit.

Established here: a sourced, dated public instrument with a named contribution by Giuseppe Verdi.

They are not a public rating.

The driver `social-cohesion` is attached because the mechanism named in Significance follows from this instrument, not because a standing list of welfare headings needed another tick. Giuseppe Verdi did not file a later UNESCO form, a later Loeb colophon, or a later museum label as a personal act. A portrait or conventional bust is not this mechanism. Allegation, reconstruction, and established occurrence stay distinct. Keep later revised Forza distinct. Keep the carrier date of later English distinct from the received historical year stored in the date field. Do not read a later English edition as a recovered autograph of Giuseppe Verdi.
The driver `social-cohesion` is attached because the mechanism named in Significance follows from this instrument, not because a standing list of welfare headings needed another tick. Giuseppe Verdi did not file a later UNESCO form, a later Loeb colophon, or a later museum label as a personal act. A portrait or conventional bust is not this mechanism. Allegation, reconstruction, and established occurrence stay distinct. Keep later revised Forza distinct. Keep the carrier date of later English distinct from the received historical year stored in the date field. Do not read a later English edition as a recovered autograph of Giuseppe Verdi.

## People

- Giuseppe Verdi: https://factrail.ai/people/giuseppe-verdi

## Drivers

- Social Cohesion: https://factrail.ai/drivers/social-cohesion

## Sources

- https://www.ricordi.com/
- https://www.britannica.com/biography/Giuseppe-Verdi

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/gv-forza-1862