# Moses is carved for Julius's reduced tomb as a dated public seated figure

Date: 1516

## The fact

Around 1513–16 [Michelangelo](/people/michelangelo) carved Moses for Julius's reduced tomb. San Pietro in Vincoli later housed it. Horns are the Vulgate's. The 1505 contract remains a different Fact. Michelangelo's documented role is: He carved Moses for the tomb after the first reduction. San Pietro in Vincoli later housed it; 1513–16 is the received carving window. Horns are the Vulgate's, not a unique insult statute.

## Context

The della Rovere tomb is the job. Sharing the figure with that reduced programme is required. The setting of Moses is carved for Julius's reduced tomb as a dated public seated figure is the public file around 1516-01-01. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver [social-cohesion](/drivers/social-cohesion) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

Shared responsibility is part of Moses is carved for Julius's reduced tomb as a dated public seated figure. Naming Michelangelo does not delete co-authors, institutions, or later transmitters. The lag from 1516-01-01 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

## Evidence and sources

Official locator: Britannica — Michelangelo, Moses at https://www.britannica.com/biography/Michelangelo (Encyclopaedia Britannica). Independent locator: Met Heilbrunn — Moses and the Julius tomb at https://www.metmuseum.org/toah/hd/mich/hd_mich.htm (The Metropolitan Museum of Art). Official carrier: Britannica — Michelangelo, Moses (https://www.britannica.com/biography/Michelangelo; Encyclopaedia Britannica). Independent carrier: Met Heilbrunn — Moses and the Julius tomb (https://www.metmuseum.org/toah/hd/mich/hd_mich.htm; The Metropolitan Museum of Art).

Official or archival record: Britannica — Michelangelo, Moses (https://www.britannica.com/biography/Michelangelo; Encyclopaedia Britannica).

## Significance

Improving path from Moses is carved for Julius's reduced tomb as a dated public seated figure on 1516-01-01. A public tomb figure is a cohesion path of medium-high weight as sculpture. The welfare reading on this path is improving.

## What is established and what is not

Established: a sourced public record of Moses is carved for Julius's reduced tomb as a dated public seated figure under 1516-01-01 for Michelangelo. Established: a sourced public record of Moses is carved for Julius's reduced tomb as a dated public seated figure under 1516-01-01.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

If a number is not in the two records named above, it is not supplied here.

Confidence is stated on the impact path, not hidden in adjectives. Do not treat later psychoanalysis as 1516. Do not twin with the 1505 contract row. Mixed effects of Moses is carved for Julius's reduced tomb as a dated public seated figure are separate paths.

The attached driver is social-cohesion. The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself.

## People

- Michelangelo: https://factrail.ai/people/michelangelo

## Drivers

- Social Cohesion: https://factrail.ai/drivers/social-cohesion

## Sources

- https://www.metmuseum.org/toah/hd/mich/hd_mich.htm
- https://www.britannica.com/biography/Michelangelo

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/mic-moses-1516