# A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation

Date: 1667

## The fact

The 1667 one-off Imposteur performance and its re-ban are the dated middle Tartuffe instrument. [Molière](/people/moliere)’s documented role is: He staged a revised Tartuffe while the ban still sat. The first president’s ban is the state’s act; he is the banned author-player. Do not merge with 1664 Versailles premiere or 1669 five-act authorisation. Three dates. Later editors, printers, and excavators remain named where they appear. Molière's documented role is: He staged a revised Tartuffe while the ban still sat. The first president’s ban is the state’s act; he is the banned author-player.

## Context

Palais-Royal, Louis XIV campaigning in Flanders as later told. Parlement and dévots remain the police weather. Named others on the file: Lamoignon as received banning magistrate; the troupe as players. The public setting is the file around 1667-08-05. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation. The setting of A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation is the public file around 1667-08-05. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver [democratic-resilience](/drivers/democratic-resilience) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

## Evidence and sources

Britannica’s Tartuffe and Molière articles independently record a 1667 interrupted attempt between 1664 and 1669. Official: Britannica — Tartuffe (https://www.britannica.com/topic/Tartuffe; Encyclopaedia Britannica). Independent: Britannica — Molière (https://www.britannica.com/biography/Moliere-French-dramatist; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Britannica — Tartuffe (https://www.britannica.com/topic/Tartuffe; Encyclopaedia Britannica). Independent carrier: Britannica — Molière (https://www.britannica.com/biography/Moliere-French-dramatist; Encyclopaedia Britannica).

Official or archival record: Britannica — Tartuffe (https://www.britannica.com/topic/Tartuffe; Encyclopaedia Britannica).

## Significance

Speech ban. Welfare reading worsening. The attached mechanism is A re-ban of a public anti-hypocrisy play is a democratic-speech cost path. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is worsening.

If a number is not in the two records named above, it is not supplied here.

## What is established and what is not

Medium confidence on the exact revised title page. Established: a sourced public record of A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation under 1667-08-05. Established: a sourced public record of A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation under 1667-08-05.

Confidence is stated on the impact path, not hidden in adjectives. Do not merge with 1664 Versailles premiere or 1669 five-act authorisation. Three dates. Mixed effects of A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation are separate paths.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

The attached driver is democratic-resilience. The welfare reading used in this dossier is worsening. That reading is an impact-path choice, not a property stored on the Fact itself.

Shared responsibility is part of A 1667 Palais-Royal Tartuffe (L’Imposteur / Panulphe) is played then immediately re-banned, a distinct instrument from 1664 Versailles and 1669 authorisation. Naming Molière does not delete co-authors, institutions, or later transmitters. The lag from 1667-08-05 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

## People

- Molière: https://factrail.ai/people/moliere

## Drivers

- Democratic Resilience: https://factrail.ai/drivers/democratic-resilience

## Sources

- https://www.britannica.com/biography/Moliere-French-dramatist
- https://www.britannica.com/topic/Tartuffe

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/mol-panulphe-1667