# Pericles builds an Odeon beside the Theatre of Dionysus as a music hall Date: 443 ## The fact [Pericles](/people/pericles) is credited with an Odeon on the south slope of the Acropolis for musical contests. The dated music hall is not the Parthenon and not the Propylaea. Pericles’s documented role is: Later sources credit him with an Odeon used for music contests and rehearsals. Unnamed carpenters built; he sponsored; unique plan is thin. Do not twin this with the Parthenon. A music hall is not Athena’s temple. Later editors, printers, and excavators remain named where they appear. Pericles's documented role is: Later sources credit him with an Odeon used for music contests and rehearsals. Unnamed carpenters built; he sponsored; unique plan is thin. ## Context Dionysia contests, unnamed carpenters, and a later story of a Persian-tent roof already sit in the file. A hall is not unique authorship of music. Later Roman rebuilds are not 443. Named others on the file: Unnamed carpenters, festival musicians, and later Pausanias as carrier share the hall. The public setting is the file around -0443-06-01. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays Pericles builds an Odeon beside the Theatre of Dionysus as a music hall. The setting of Pericles builds an Odeon beside the Theatre of Dionysus as a music hall is the public file around -0443-06-01. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver edu-[digital-learning-access](/drivers/edu-digital-learning-access) is attached because the significance names a mechanism from this act, not because a standing list needed coverage. Shared responsibility is part of Pericles builds an Odeon beside the Theatre of Dionysus as a music hall. Naming Pericles does not delete co-authors, institutions, or later transmitters. The lag from -0443-06-01 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them. ## Evidence and sources Britannica independently identifies an Odeon of Pericles as a public music building distinct from the Parthenon. Official: Britannica — Pericles, Odeon (https://www.britannica.com/biography/Pericles-Athenian-statesman; Encyclopaedia Britannica). Independent: Britannica — Odeum of Pericles (https://www.britannica.com/topic/Odeum-of-Pericles; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Britannica — Pericles, Odeon (https://www.britannica.com/biography/Pericles-Athenian-statesman; Encyclopaedia Britannica). Independent carrier: Britannica — Odeum of Pericles (https://www.britannica.com/topic/Odeum-of-Pericles; Encyclopaedia Britannica). Official or archival record: Britannica — Pericles, Odeon (https://www.britannica.com/biography/Pericles-Athenian-statesman; Encyclopaedia Britannica). ## Significance Improving education-access path: a public festival music hall. Medium confidence on unique fabric. Welfare reading improving. The attached mechanism is A dated public music hall put a teaching-and-festival interior beside the theatre. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving. ## What is established and what is not Established: a received Periclean Odeon heading. Not established: a unique surviving roof. Established: a sourced public record of Pericles builds an Odeon beside the Theatre of Dionysus as a music hall under -0443-06-01. Established: a sourced public record of Pericles builds an Odeon beside the Theatre of Dionysus as a music hall under -0443-06-01. Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts. If a number is not in the two records named above, it is not supplied here. Confidence is stated on the impact path, not hidden in adjectives. Do not twin this with the Parthenon. A music hall is not Athena’s temple. Mixed effects of Pericles builds an Odeon beside the Theatre of Dionysus as a music hall are separate paths. The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself. ## People - Pericles: https://factrail.ai/people/pericles ## Drivers - Digital Learning Access: https://factrail.ai/drivers/edu-digital-learning-access ## Sources - https://www.britannica.com/topic/Odeum-of-Pericles - https://www.britannica.com/biography/Pericles-Athenian-statesman ## Methodology https://factrail.ai/methodology Canonical: https://factrail.ai/facts/per-odeon-443