# The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent

Date: 1610

## The fact

The Raising of the Cross is the dated 1610–11 public altar instrument. [Peter Paul Rubens](/people/peter-paul-rubens)’s documented role is: He painted the triptych for St Walburga (later cathedral). Assistants share the large fabric. The Descent is a different altar. Do not merge with rub-descent-cathedral. Two altars. Later editors, printers, and excavators remain named where they appear. Peter Paul Rubens's documented role is: He painted the triptych for St Walburga (later cathedral). Assistants share the large fabric. The Descent is a different altar.

## Context

Antwerp after the 1608 return. Twelve Years’ Truce weather sits on another row. Named others on the file: St Walburga patrons; unnamed assistants. The public setting is the file around 1610-01-01. Unnamed clerks, soldiers, printers, or later editors may appear without becoming this instrument. The instrument stays The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent. The setting of The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent is the public file around 1610-01-01. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver edu-[digital-learning-access](/drivers/edu-digital-learning-access) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

The welfare reading used in this dossier is improving. That reading is an impact-path choice, not a property stored on the Fact itself.

## Evidence and sources

Britannica’s painting article and life independently date the Raising as an early Antwerp public altar. Official: Britannica — The Raising of the Cross (https://www.britannica.com/topic/The-Raising-of-the-Cross-triptych-by-Rubens; Encyclopaedia Britannica). Independent: Britannica — Peter Paul Rubens (https://www.britannica.com/biography/Peter-Paul-Rubens; Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Britannica — The Raising of the Cross (https://www.britannica.com/topic/The-Raising-of-the-Cross-triptych-by-Rubens; Encyclopaedia Britannica). Independent carrier: Britannica — Peter Paul Rubens (https://www.britannica.com/biography/Peter-Paul-Rubens; Encyclopaedia Britannica).

Official or archival record: Britannica — The Raising of the Cross (https://www.britannica.com/topic/The-Raising-of-the-Cross-triptych-by-Rubens; Encyclopaedia Britannica).

## Significance

Altar teaching. Welfare reading improving. The attached mechanism is A public Passion altarpiece is an education path. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving.

Shared responsibility is part of The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent. Naming Peter Paul Rubens does not delete co-authors, institutions, or later transmitters. The lag from 1610-01-01 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

## What is established and what is not

Moved later into the cathedral; the making is Antwerp-lifetime. Established: a sourced public record of The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent under 1610-01-01. Established: a sourced public record of The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent under 1610-01-01.

If a number is not in the two records named above, it is not supplied here.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

Confidence is stated on the impact path, not hidden in adjectives. Do not merge with rub-descent-cathedral. Two altars. Mixed effects of The Raising of the Cross is installed as a public Antwerp altarpiece, distinct from the later Descent are separate paths.

## People

- Peter Paul Rubens: https://factrail.ai/people/peter-paul-rubens

## Drivers

- Digital Learning Access: https://factrail.ai/drivers/edu-digital-learning-access

## Sources

- https://www.britannica.com/topic/The-Raising-of-the-Cross-triptych-by-Rubens
- https://www.britannica.com/biography/Peter-Paul-Rubens

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/rub-raising-cross-1610