# Four Nastagio degli Onesti spalliera panels are painted about 1483 for the Pucci–Bini wedding from a Decameron tale Date: 1483 ## The fact Britannica and standard catalogues independently place the Nastagio cycle about 1483 for a Pucci marriage. Prado’s public collection holds panels of the story. It is one event. ## Context Domestic furniture painting that stages violence against a refusing woman as marriage persuasion is a rights-harm path. Shared workshop hands remain. Decameron source is literary neighbourhood. [Sandro Botticelli](/people/sandro-botticelli)’s documented role is bounded by other offices and collaborators named in the sources below. Sharing a field with them is not a reason to drop a documented act, and it is not a reason to assign later consequences done in the name after death. Grove/standard catalogues: 1483 Pucci–Bini wedding; Decameron V.8; panels now split (Prado and private). The tale’s hunted woman is a moralising coercion narrative for a marriage chamber. One cycle, one Fact. Named person as heading of the dated public instrument. Later editors, museums, printers, or offices share publication. Complex where later carriers are the surviving public file. ## Evidence and sources Museo del Prado — public collection portal and Britannica — Sandro Botticelli independently describe this instrument. Official or archival record: Museo del Prado — public collection portal (https://www.museodelprado.es/en; Museo Nacional del Prado). ## Significance Nastagio 1483 is a rights-harm path of high confidence on the wedding commission, medium on unique later coefficients. ## What is established and what is not Established as a sourced public record of this instrument at the date assigned here. What would change the picture: a contradictory original with a different date or name, or a measured series that can be argued, with lag and alternatives, as a consequence of this instrument rather than of later institutions. The date is the date of this instrument, not a licence to back-date every later harm or benefit. Established here: a sourced, dated public instrument with a named contribution by Sandro Botticelli. They are not a public rating. The driver `protection-of-minority-rights` is attached because the mechanism named in Significance follows from this instrument, not because a standing list of welfare headings needed another tick. Sandro Botticelli did not file a later UNESCO form, a later Loeb colophon, or a later museum label as a personal act. A portrait or conventional bust is not this mechanism. Allegation, reconstruction, and established occurrence stay distinct. One cycle, one Fact. Do not store Prado tourism as 1483. Keep the carrier date of later English distinct from the received historical year stored in the date field. Do not read a later English edition as a recovered autograph of Sandro Botticelli. ## People - Sandro Botticelli: https://factrail.ai/people/sandro-botticelli ## Drivers - Protection of Minority Rights: https://factrail.ai/drivers/protection-of-minority-rights ## Sources - https://www.britannica.com/biography/Sandro-Botticelli - https://www.museodelprado.es/en ## Methodology https://factrail.ai/methodology Canonical: https://factrail.ai/facts/sb-nastagio-1483