# The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating

Date: 1888

## The fact

In September 1888 The Night Café was painted as a public picture of a place Vincent names as isolating. The instrument is that canvas-and-letter, not a temperance statute. Vincent van Gogh's documented role is: He painted the café and wrote that it was a place where one could ruin oneself. The café owner sat as landlord, not as co-author. Medium on unique sociological claim.

## Context

The café owner is the named landlord in letters. Sharing that interior is required. Sunflowers remain a neighbouring Arles series. The setting of The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating is the public file around 1888-09-08. Shared offices, unnamed crews, printers, or later editors may appear without becoming this instrument. Driver [social-cohesion](/drivers/social-cohesion) is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

## Evidence and sources

Official locator: Vincent van Gogh The Letters — Night Café neighbourhood at https://vangoghletters.org/vg/ (Van Gogh Museum / Huygens ING). Independent locator: Met Heilbrunn — Van Gogh Arles interiors neighbourhood at https://www.metmuseum.org/toah/hd/gogh/hd_gogh.htm (Metropolitan Museum of Art). Official carrier: Vincent van Gogh The Letters — Night Café neighbourhood (https://vangoghletters.org/vg/; Van Gogh Museum / Huygens ING). Independent carrier: Met Heilbrunn — Van Gogh Arles interiors neighbourhood (https://www.metmuseum.org/toah/hd/gogh/hd_gogh.htm; Metropolitan Museum of Art).

Official or archival record: Vincent van Gogh The Letters — Night Café neighbourhood (https://vangoghletters.org/vg/; Van Gogh Museum / Huygens ING).

## Significance

Worsening path from The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating on 1888-09-08. A public picture of isolation-as-interior is a cohesion-harm path of medium-low weight. The welfare reading on this path is worsening.

Confidence is stated on the impact path, not hidden in adjectives. One canvas-file. Do not store absinthe as a unique millilitre series. Mixed effects of The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating are separate paths.

## What is established and what is not

Established: a sourced public record of The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating under 1888-09-08 for Vincent van Gogh. Established: a sourced public record of The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating under 1888-09-08.

Shared responsibility is part of The Night Café is painted in September 1888 as a public picture of a place Vincent names as isolating. Naming Vincent van Gogh does not delete co-authors, institutions, or later transmitters. The lag from 1888-09-08 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

The attached driver is social-cohesion. The welfare reading used in this dossier is worsening. That reading is an impact-path choice, not a property stored on the Fact itself.

If a number is not in the two records named above, it is not supplied here.

## People

- Vincent van Gogh: https://factrail.ai/people/vincent-van-gogh

## Drivers

- Social Cohesion: https://factrail.ai/drivers/social-cohesion

## Sources

- https://www.metmuseum.org/toah/hd/gogh/hd_gogh.htm
- https://vangoghletters.org/vg/

## Methodology

https://factrail.ai/methodology

Canonical: https://factrail.ai/facts/vg-night-cafe-isolation