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Albrecht Dürer

Albrecht Dürer

0

Near balanceFormula-derived score

Nuremberg printmaker whose Apocalypse, Meisterstiche, treatises, and 1500 self-portrait reach the public through BM, Met, Albertina, Pinakothek, and the Dürer-Haus. Documented harms: End-Times series, Maximilian publicity, guild labour. He did not file 2000 HTML.

Nuremberg print-workshop as industrial imageimperial Maximilian publicity as later museum sheetsReformation-era confessional pictures as a network not as a unique party

Impact

Not rated yet: the verified records linked to this person, without a numeric impact.

Editorial assessment (context, not the score)

The page is not a marble genius and not a unique author of 1528. The heaviest documented costs in public English are Apocalypse terror-piety, Maximilian publicity, and workshop labour. The offsets are museum print access, measurement treatises, and the Nuremberg house as a public workshop. He did not file 2000. Curators did that work. Confidence is high on those pages, medium on unique wage coefficients. Later museum pages remain the dated record.

Indicators affected

Indicators this person’s verified facts reach. No score contribution is assigned; the observed state is the indicator’s own reading.

Accountability & contradictions

Claims against the record, the type of responsibility, and what is disputed.

Claimed

What could change this assessment

  • 4 linked facts have no assessed welfare direction yet.
  • Lifetime coverage has not been assessed: the record reflects stored facts only (1486–1528).

Causal path

Person → Fact → Driver → Indicator. Select a path to inspect its factors; the full network opens on demand.

Timeline

The most relevant dated facts, newest first.

Evidence & methodology

How the record is sourced and how the score is derived.

25 of 25 linked facts verified, drawing on 13 distinct sources (1486–1528).

Sources include Project Gutenberg, Bayerische Staatsgemäldesammlungen, Metropolitan Museum of Art, Cambridge University Press, Encyclopaedia Britannica, Kunsthistorisches Museum Vienna, Kunsthistorisches Museum Wien, Albertina.

Sources (showing 8 of 13)

  1. 1.Britannica — Albrecht DürerEncyclopaedia Britannica
  2. 2.Dürer treatises — later public-domain EnglishProject Gutenberg
  3. 3.Metropolitan Museum of Art
  4. 4.Met Heilbrunn — Albrecht DürerMetropolitan Museum of Art
  5. 5.Albrecht-Dürer-Haus, NurembergMuseen der Stadt Nürnberg
  6. 6.Alte Pinakothek — Dürer, Four Apostles heritageBayerische Staatsgemäldesammlungen
  7. 7.Cambridge Dürer and Northern Renaissance studiesCambridge University Press
  8. 8.Kunsthistorisches Museum — Maximilian commissions contextKunsthistorisches Museum Vienna

The score is formula-derived (Factrail formula v1, version 1.0.0), not an editorial verdict. Read the methodology.

By the · Method: how we source and score · Last reviewed · Sources: 13

Expert analysis

An excerpt; the full analysis opens on request.

The first fact about Dürer is a printed End-Times book and a court publicity machine, not a marble German genius. Met Heilbrunn at https://www.metmuseum.org/toah/hd/durr/hd_durr.htm (opens in a new tab) and BM collection pages at https://www.britishmuseum.org/collection (opens in a new tab) present the Apocalypse and Meisterstiche. Britannica at https://www.britannica.com/biography/Albrecht-Durer (opens in a new tab) frames the life. Alte Pinakothek at https://www.pinakothek.de/en (opens in a new tab) presents the 1500 face. KHM at https://www.khm.at/en/ (opens in a new tab) marks Maximilian. Gutenberg treatises at https://www.gutenberg.org/ebooks/22051 (opens in a new tab) include fortification. Cambridge studies treat Reformation networks. The offsets are also URLs. NGA at https://www.nga.gov/ (opens in a new tab) and Albertina at https://www.albertina.at/en/ (opens in a new tab) are graphic access. Germanisches Nationalmuseum at https://www.gnm.de/en/ (opens in a new tab) is city context. 1525 measurement books are a teachable craft. Complex contribution is the honest type. Confidence is high on museum objects and dated series, medium on unique workshop wages, low on unique plague coefficients. Related people are Maximilian I, Willibald Pirckheimer, Jacopo de’ Barbari. 1498 is a series. 1500 is a painting. 1525 is a treatise. 1828 is a house-museum. The useful question is which later public pages still move terror-print, imperial publicity, and geometry under his name. Keep Apocalypse Meisterstiche treatises and the house on separate dates. Later Loeb, UNESCO, and encyclopedia pages are evidence, not additional acts. Posthumous museums, critical editions, UNESCO listings, and political reception by later states are evidence, not additional acts. Related 2024–2025 news about COP, NATO, or a German chancellorship is not a relation. Hostile vita slander is not upgraded. Off-family indicator padding is refused. Confidence is high on named public pages, medium on unique coefficients, low on anecdote.

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