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Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office

The 1795 painting-director post is the dated teaching office. Francisco Goya’s documented role is: He held the academy painting direction after Bayeu’s death-neighbourhood. In the causal graph this event strengthens Digital Learning Access, a driver that weakens Learning Poverty Rate (low- and middle-income countries) — an improving welfare path.

Read the full account

The 1795 painting-director post is the dated teaching office. Francisco Goya’s documented role is: He held the academy painting direction after Bayeu’s death-neighbourhood. The academy shares the office. 1780 admission is another row. Office versus membership. Later editors, printers, and excavators remain named where they appear. The academy shares the office. 1780 admission is another row.

Context

Madrid academy. Deafness already limits the body. Court painter rank sits on the 1786 row. Named others on the file: Academy colleagues; Francisco Bayeu as the prior generation. The public setting is the file around 1795-01-01. The instrument stays Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office. The setting of Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office is the public file around 1795-01-01. Driver edu-digital-learning-access is attached because the significance names a mechanism from this act, not because a standing list needed coverage.

Later competitions, monuments, translations, UNESCO listings, museums, and adaptations are not converted into extra lifetime acts.

Why it matters

Academic teaching office. Welfare reading improving. The attached mechanism is A public academy directorship is an education path. Lag to any modern indicator is not treated as zero. This path is attached because the mechanism is named from this act, not because a driver list needed coverage. The welfare reading on this path is improving.

Confidence is stated on the impact path, not hidden in adjectives. Office versus membership. Mixed effects of Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office are separate paths.

Who was responsible

Contribution type and responsibility level for each recorded actor — not sole-author shorthand.

  • Francisco Goya

    Person

    Direct responsibility

    responsibility level 0.36 · verified

    He held the academy painting direction after Bayeu’s death-neighbourhood. The academy shares the office. 1780 admission is another row.

What changed

Fact → Driver → Indicator. Relationship strength orders the paths; it is not the observed indicator movement.

Evidence

The sources behind this fact and its verification state.

Verified2 sources on file
  1. 1.Real Academia de Bellas Artes de San FernandoReal Academia de Bellas Artes de San Fernando · High credibility · verified
  2. 2.Britannica — Francisco GoyaEncyclopaedia Britannica · High credibility · verified
What the sources establish

The academy’s public house and Britannica independently record Goya’s senior academy office in the 1790s. Official: Real Academia de Bellas Artes de San Fernando (https://www.realacademiabellasartessanfernando.com/en/ (opens in a new tab); Real Academia de Bellas Artes de San Fernando). Independent: Britannica — Francisco Goya (https://www.britannica.com/biography/Francisco-Goya (opens in a new tab); Encyclopaedia Britannica). The two URLs are different pages. Where the carrier is a later edition or a received narrative, that limit is stated rather than upgraded to an autograph. Official carrier: Real Academia de Bellas Artes de San Fernando (https://www.realacademiabellasartessanfernando.com/en/ (opens in a new tab); Real Academia de Bellas Artes de San Fernando). Independent carrier: Britannica — Francisco Goya (https://www.britannica.com/biography/Francisco-Goya (opens in a new tab); Encyclopaedia Britannica).

Year-level. Established: a sourced public record of Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office under 1795-01-01.

Shared responsibility is part of Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office. Naming Francisco Goya does not delete co-authors, institutions, or later transmitters. The lag from 1795-01-01 to any measured indicator is not treated as zero. Alternative explanations — weather, other armies, later statutes, or independent cultural change — remain live where the sources do not close them.

That reading is an impact-path choice, not a property stored on the Fact itself.

If a number is not in the two records named above, it is not supplied here.

Causal path

How this event connects to drivers and indicators in the graph.

  1. ActorFrancisco Goya
  2. contributed toFactGoya becomes director of painting at the Real Academia de San Fernando, a public teaching office
  3. strengthensDriverDigital Learning Access
  4. weakensIndicatorLearning Poverty Rate (low- and middle-income countries)

Cite this page

Factrail. (2026). Goya becomes director of painting at the Real Academia de San Fernando, a public teaching office. Factrail. https://factrail.ai/facts/goy-director-1795

https://factrail.ai/facts/goy-director-1795

Accessed 16 October 2026.

By the Factrail desk · Method: how we source and score · Last reviewed

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