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Pallas and the Centaur is completed as a Medici-neighbourhood mythological panel about 1482–83

Dated 1 June 1482: Pallas and the Centaur is completed as a Medici-neighbourhood mythological panel about 1482–83.

Sources: [1][2]

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Context

Shared Medici household remains.

Sandro Botticelli’s documented role is bounded by other offices and collaborators named in the sources below.

Uffizi houses the panel; conventional dating neighbours Primavera. Political allegories of Medici order over chaos are modern readings, not tape. Later tickets are not the painting act.

Who was responsible

Contribution type and responsibility level for each recorded actor — not sole-author shorthand.

What changed

Fact → Driver → Indicator. Relationship strength orders the paths; it is not the observed indicator movement.

No public driver impacts are listed for this fact.

Evidence

The sources behind this fact and its verification state.

Verified2 sources on file
  1. 1.Uffizi — Botticelli, Pallas and the CentaurGallerie degli Uffizi · High credibility · verified
  2. 2.Met Heilbrunn — BotticelliMetropolitan Museum of Art · High credibility · verified
What the sources establish

Uffizi and Met Heilbrunn independently treat Pallas and the Centaur in Botticelli’s Medici mythological set.

Sandro Botticelli did not file a later UNESCO form, a later Loeb colophon, or a later museum label as a personal act. Split from Primavera. Museums are carriers.

Causal path

How this event connects to drivers and indicators in the graph.

No causal path is recorded: this fact is not linked to a driver.

Cite this page

Factrail. (2026). Pallas and the Centaur is completed as a Medici-neighbourhood mythological panel about 1482–83. Factrail. https://factrail.ai/facts/sb-pallas-centaur

https://factrail.ai/facts/sb-pallas-centaur

Accessed 16 October 2026.

By the · Method: how we source and score · Last reviewed

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