A documented killing, then chapels: that order is the honest public file, not a romantic outlaw preface. The National Gallery at https://www.nationalgallery.org.uk/artists/michelangelo-merisi-da-caravaggio (opens in a new tab) and Britannica at https://www.britannica.com/biography/Caravaggio (opens in a new tab) print 28 May 1606 as Tomassoni’s death by Caravaggio’s sword and a capital process. Accountability is the point. Ranuccio Tomassoni is not affiliated_with. Baglione is a 1603 plaintiff, not a colleague row. Legend about tennis, holes in walls, and later lead poisoning is marked as disputed or refused where unsourced.
Contarelli and Cerasi as public walls: Britannica’s chapel chapter at https://www.britannica.com/biography/Caravaggio/The-Contarelli-Chapel-and-other-church-commissions (opens in a new tab) and Met Heilbrunn at https://www.metmuseum.org/toah/hd/crvg/hd_crvg.htm (opens in a new tab) locate the 1599–1602 Matthew cycle and the 1600–01 Popolo laterals. Those are civic-church instruments. Raphael’s stanze are a neighbouring Person-page analysis of Roman papal-city painting, not a claim that Raphael taught this naturalism. The Uffizi Medusa at https://www.uffizi.it/en/artworks/medusa (opens in a new tab) and Borghese at https://www.collezionegalleriaborghese.it/en (opens in a new tab) are object-and-collector files, not 1610.
Malta as order and expulsion: Britannica’s 1606–10 chapter at https://www.britannica.com/biography/Caravaggio/Naples-Malta-Sicily-Naples-Porto-Ercole-1606-10 (opens in a new tab) prints Wignacourt’s 14 July 1608 reception, the signed Beheading, August arrest, escape, and 1 December expulsion. Heritage Malta at https://heritagemalta.mt/ (opens in a new tab) is a later carrier. Sicily is public church work after flight. 24 October 1609 is a wounding he suffered. 18 July 1610 is death at Porto Ercole, cause disputed.
Rubens is attached because the Death of the Virgin’s Gonzaga purchase is sourced as advised by Peter Paul Rubens after Roman viewing — directional influence from these canvases, not a workshop twin. His Person article on Siegen, Antwerp, and 1630 is therefore a genuine neighbour of Roman-to-Habsburg picture traffic. Fillide Melandroni is a documented sitter, not a pamphlet. Gentileschi lent props and testified in 1603.
1600 is not 1606. 14 July 1608 is not 1 December. Direct contribution is used on the homicide; other rows stay complex. Confidence is high on chapels, knighthood, expulsion, and the killing as event; medium on 1605 dockets and 1609 attackers; low on medical cause. Later Loeb, UNESCO, and encyclopedia pages are evidence, not additional acts. Later gallery pages and encyclopedia lives remain the public record. Documented violence is stored as process, not as tavern legend. Shared work remains named. Caravaggio is not a later film. Shared work remains named. Public locators used on this page include the Contarelli Chapel at San Luigi dei Francesi (https://saintlouis-rome.net/ (opens in a new tab)), the Cerasi Chapel at Santa Maria del Popolo, the Borghese Caravaggio file (https://www.collegioborghese.it/ (opens in a new tab)), and Britannica’s biography (https://www.britannica.com/biography/Caravaggio (opens in a new tab)). Those HTTPS pages are independent of one another.