The first fact about Cleopatra in a public catalog is a coin, not a close-up. British Museum collection pages at https://www.britishmuseum.org/collection (opens in a new tab) publish Ptolemaic issues with her legend; the Met Heilbrunn Ptolemaic essay at https://www.metmuseum.org/toah/hd/ptol/hd_ptol.htm (opens in a new tab) and Britannica at https://www.britannica.com/biography/Cleopatra-queen-of-Egypt (opens in a new tab) independently treat mint and court as the official machine. Berlin’s Altes Museum at https://www.smb.museum/en/museums-institutions/altes-museum/home/ (opens in a new tab) presents a marble type used as this page’s avatar — a later portrait type, not a photograph from life.
Loeb Plutarch Antony at https://www.hup.harvard.edu/books/9780674991132 (opens in a new tab) and Perseus at https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:2008.01.0007 (opens in a new tab), with Gutenberg English at https://www.gutenberg.org/ebooks/14114 (opens in a new tab), print civil war, Donations of Alexandria as received, Actium 31 BCE as received, 30 BCE death as received, and Caesarion’s killing as later told. Sibling-marriage as dynastic practice is the museum-handbook account (Cambridge Hellenistic world at https://www.cambridge.org/core/books/cambridge-companion-to-the-hellenistic-world/ (opens in a new tab)). Orientalist plates on Gallica at https://gallica.bnf.fr/ (opens in a new tab) and the 1963 film as LoC publicity at https://www.loc.gov/item/2011685082/ (opens in a new tab) are reception. Folger’s Antony and Cleopatra at https://www.folger.edu/explore/shakespeares-works/antony-and-cleopatra/ (opens in a new tab) is 1623, not 30 BCE. BFI context at https://www.bfi.org.uk/ (opens in a new tab) does not make Fox a primary.
The offsets are dated access and capacity. Coins and mint catalogues are official face and industry. Bilingual administration and granaries are handbook capacity. UNESCO tentative Alexandria at https://whc.unesco.org/en/tentativelists/1827/ (opens in a new tab) is conservation-access.
What the score must not say: that Shakespeare knew the mint; that 1963 is evidence of an asp; that a queen was a democrat; that BM accession dates are her birthday. Complex contribution is the honest type. Confidence is high on coins and museum presentation, medium on Plutarch’s scenes, low on Hollywood and on epidemiology.
Related people are Ptolemy XII, Caesar, Antony, Octavian, Caesarion, Plutarch as later narrator, Shakespeare as later playwright.
1897 BM catalogue is not 40 BCE. 1623 is a Folio. 1963 is a studio. The useful question is which later public objects still move extraction, reception, and official face under her name. Keep coins, Plutarch, Folio, and 1963 on separate dates.